![]() ![]() Turner uses color, shape, edge, transparency and opacity, direct vs. While we might think of contrast as simply black and white, it is much more complex when it comes to the number of possibilities we have to use it in visual communication. Pictorially, it sets up the graphic design equation and how to handle the harmonies and the attraction towards the focal point. Harvey Dunn uses dark and light to contrast the characters from the snow. We do it without knowing we are just by the dark marks we place on the light page without it we can’t see what we are doing. Contrasts include the contrast of: light/dark, small/big, warm/cool, angular/curvy, black/white, chromatic/gray, and many, many more. These three tools used together will help you organize your visual composition without the need for referencing the subject matter before hand these are universal tools for visual design.Ĭontrast is a huge component in art, the list of contrasts outweighs all the other design principles combined. Three tools every artist should have in the back of their mind when developing any visual idea are contrast, harmony, and attraction. Each of these tools has many built in components that we can often mistake for tools, and many ties to other important tools, inseparable from them, yet, categorically different. ![]() If we were to whittle down composition to bare components of importance, three particular tools stand out. Repin academy is one such school, but even it has its limitations that could be vastly improved. The focus of the curriculum would be clear visual communication in any medium, utilizing the academic training that was hammered into the student. The study of composition should have a school dedicated to it alone, a finishing school focused on the visual language. With results like these it’s no wonder they get little play on the social media food chain.Ĭomposition is a little confusing at times, especially with not as much literature to support it as say, perspective or figure drawing, but it is the most significant part of our learning. It is hard to sell these tools when the results are subtle, slight, but significant to the pictorial outcome. The tools that make little sense to the masses are the ones that shape the pictures into award winning images, made up moments we all remember forever. These are the tools we see used to advertise the arts more often than not, since they reap insta-gratification/results for all to see and find impressive. Many of these tools are more specific to physical subject matter. Picture making has a deep tool chest that can be a little bit intimidating to one wanting to make art or improve their skills within their specific craft. ![]()
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