They arenot the random scenes of dreams butmessages, encrypted in a code of images. I began recording these visions in mynotebook as I remember them. Every night I run faster toward it,but every night I am no nearer to my goal.In the morning, I awaken with new visionsfilling my mind. I try to touch the pages, butevery motion forward propels the bookaway. It hovers beyond the veil ofreality, a dream that has more substancethan reality. Yet every night in my dreams, I see thecursed book. I have been cursed,robbed of my rest by a maddening vision�the Codex of infinite Planes! It has been lostsince before my time, the time of my fatherthe time of all my known ancestors. Perhaps if I review the entries relat- ing to Sigil, tonight I will dream of the city itself. For now, my image of it is only fragmen- tary. It is the place through which all things pass. This city exists, I know, at the very center of the Outer Planes. If there is a link in all the messages I record, it is a city called Sigil, the Heart and the Cage. Perhaps if someone could find all the fragments recorded by the books scribes, the Codex would become real in this world. When the image is complete, the traveler arrives. As the dreamer reads the entries in the book, he creates the destination where the Codex will send him. At first the passages seemed random and meaningless, but now I sense a pattern. I am no more than another of the great books scribes, like the Archmage Tzunk before me. There it reveals itself, a page each night, and every morning I dutifully transcribe its pages into the world of flesh. I do not think it exists yet, at least not as a material thing. I am certain they are passages from the Codex of Infinite Planes. They are not the random scenes of dreams but messages, encrypted in a code of images. I began recording these visions in my notebook as I remember them. In the morning, I awaken with new visions filling my mind. Every night I run faster toward it, but every night I am no nearer to my goal. I try to touch the pages, but every motion forward propels the book away. It hovers beyond the veil of reality, a dream that has more substance than reality. Yet every night in my dreams, I see the cursed book. I have been cursed, robbed of my rest by a maddening vision the Codex of infinite Planes! It has been lost since before my time, the time of my father the time of all my known ancestors. No peace this night or for a fortnight past. However, this is both more elementally-restrictive and less AP-efficient.I From the Notebooks of Fallendor the Mage: t has happened again. Basic attacks from wands will also create small elemental surfaces useful for activating this talent.With the Ambidextrous talent, a character can create needed surfaces with grenades either for self or other characters with just 1 AP, making both of these talents an attractive choice for staff-users.When casting Searing Daggers, aiming one dagger at own feet will benefit future Pyromancy skills.Elf Necromancers benefit greatly from this, as they can use Flesh Sacrifice to get a blood pool under them along with one extra AP.It is possible to get bonuses to multiple skill schools, by standing on the border between different surfaces. Elemental affinity does not work with Warfare, Huntsman, Scoundrel, Summoning or Polymorph skills.Does not affect scrolls, however Ambidextrous does, and for all elements at all times.This talent can not reduce the AP cost of skills to less than one.The corresponding surface for each magic is as follows: Fire surface for Pyrokinetic, Water and ice surfaces for Hydrosophist, Poison/oil surface for Geomancer, Electrified surface for Aerothurge, and Blood surface for Necromancer. Reduce AP cost of spells by one when the character is standing on a surface of the same element.Įlemental Affinity is a talent in Divinity Orignal Sin 2.
0 Comments
Leave a Reply. |